Office: FO 106 Office Hours: T-U 7:30-8:30
a.m., W 9-10 a.m. and by appointment
Phone/Voicemail: 924-4457
E-mail: csigler@email.sjsu.edu

Course Purposes and Philosophy
This course will trace the social and cultural forces which have shaped the development of young adult literature and of a diverse and influential youth culture. We will read and discuss historical and contemporary works in a variety of media?including novels, short stories, film and television?which seek to explore and communicate the feelings, aspirations, concerns and dilemmas of young adulthood. This course will introduce you to the history, forms and functions of literature for young adults, as well as provide you with a variety of critical tools for reading, discussing, and writing about literary as well as pedagogical discourses. Our survey of young adult literature will include both classic and popular texts, including discussion of film and television, as both have a profound influence not only on books for youth but on the very ways that young adults read books. Through the readings, lectures and our class discussions you will develop your ability to read texts carefully and with attention to their literary merit, and your awareness of social and pedagogical issues that impact the use of literature in the classroom.
Course Requirements
Two exams, consisting of in-class short-answer questions and a take-home essay (25% each); a 7-10 page class project (25%); participation, quizzes and short writing assignments (25%). Attendance and improvement are also considered in determining the final grade. Assignments must be turned in on time to receive full credit.
Grading Policy
The following statement has been adopted by the English department for inclusion in all greensheets:
The department of English reaffirms its commitment to the differential grading scale as defined in the official SJSU catalogue ("The Grading System"). Grades issued must represent a full range of student performance: A = excellent; B = above average; C = average; D = below average; F = failure. Courses graded according to the A,, B, C, No Credit system shall follow the same pattern, except that NC (No Credit) shall replace D or F. In such classes, NC shall also substitute for W (Withdrawal) because neither grade (NC or W) affects studentsí GPA.
In English 112B this scale is based on the following criteria:
Attendance is required and consists both of being in class on time, remaining for the entire class period, and being prepared with that dayís assignment. Since this class meets only once per week, more than two absences will likely lower your final grade. Reading quizzes may not be made up; however, the lowest score will be dropped at the end of the semester.
Academic Integrity
The misrepresentation of another's work as one's own, whether the original work is published or not, is plagiarism and will result in a failing grade. The incident will also be reported to the dean of students for possible further action. All quotes must be enclosed in quotation marks or, when more than three lines, put in an indented block. Full citation of the original author and source must also be included. Copies of SJSUís Policy on Academic Dishonesty are available in the office of the Dean of Student Services.
Disabled Student Services
Students with disabilities who need special accommodations should register with the Disabled Student Services Department. Please advise the professor immediately of any special needs.
Reading and Assignment Schedule
The following schedule may be
slightly modified during the course of the semester, but students will
be notified of any change at least one class day in advance. Detailed descriptions
of the exams and project will also be distributed in class. All reading
assignments must be completed by the first date listed. Titles with an
asterisk (*) are films, which will be viewed in class.
| WEEK 1
8/31 |
Introduction to the class and YA Literature |
| WEEK 2
9/7 |
Charlotte Brontë, Jane Eyre |
| WEEK 3
9/14 |
J.D. Salinger, The Catcher in the Rye |
| WEEK 4
9/21 |
Nicholas Ray, Rebel Without a Cause |
| WEEK 5
9/28 |
Robert Lipsyte, One Fat Summer |
| WEEK 6
10/5 |
Christopher Paul Curtis, The Watsons Go to Birmingham-1963 |
| WEEK 7
10/12 |
Anne Mazer, America
Street
Gary Soto, A Fire in My Hands |
| WEEK 8
10/19 |
MIDTERM EXAM
Steve James, Hoop Dreams* |
| WEEK 9
10/26 |
Steve James, Hoop Dreams* |
| WEEK 10
11/2 |
Lois Ruby, Skin Deep |
| WEEK 11
11/9 |
Cynthia Rylant, Missing
May
Paul Fleischman, Seedfolks |
| WEEK 12
11/16 |
PROFESSIONAL WRITING
FOR TEACHERS
Gail Carson Levine, Ella Enchanted |
| WEEK 13
11/23 |
EDITING WORKSHOP;
Due: Complete, typed rough draft of semester project |
| WEEK 14
11/30 |
Jon Krakauer, Into the Wild |
| WEEK 15
12/7 |
Virginia Walter,
Making
Up Megaboy
Conclusions Semester Project due |
| Exam Week
12/14 |
Final Exam: 5:15-7:30 p.m. |