PROJECTS:  UNITY & LINE

UNITY BY PROXIMITY & CONTINUITY

MATERIALS: 9x12 bristol, Left-over scraps of black paper and newspaper scraps cut into squares, triangles, circles, rectangles.

PROCEDURE: (see page 34 in Unity reading for explanation of concept)
a. arrange shapes in isolaltion - scattered
b. create unity, totality through PROXIMITY and CONTINUITY

CRITERIA:

BRUSH & INK / FRANZ KLINE COMPOSITIONS - 3

MATERIALS: 8x10 scrap paper (newspaper, phone book pages, or used computer paper)
PROCEDURE: Using broad strokes, thick and thin, divide space into:

  1. Horizontal/vertical lines composition
  2. Diagonal composition
  3. Composition mixing both of the above

CRITERIA:

LINE: LANDSCAPE COMPOSITIONS / PEN & INK - 4

MATERIALS: approximately 6x9" bristol board (with picture frame border in ink); Pen & Ink

PROCEDURE: Use ink landscape thumbnails to develop 4 compositions in line.

CRITERIA:

HOMEWORK/ SELF-PORTRAIT

  1. 9x12” bristol: Working from a mirror, draw a series of 12 thumbnail self portraits, looking for a good figure/ground composition using only SHAPE. Use pen&ink to create shapes (similar to landscape thumbnails).
  2. 9x12” bristol: Using one of the above compositions, draw a self portrait FROM MIRROR in LINE (ONLY LINE). Use the full page (9x12") as the GROUND. Your lines should "cut up the ground". You must produce a strong figure/ground relationship as well as good line quality, direction, and WEIGHT. Choose for your medium from: Pencil (soft), Brush & ink (caligraphic line - see Matisse links), or Sharpie.

CRITERIA:

JOURNAL WORK

  1. One page of contour drawings (any subject). See examples.
  2. One page of cross contour drawings. See examples.
  3. One page of line networks in pen & ink. See exapmples.

TERMS: unity, harmony, variety, proximity, extension, line, implied line, line quality, line measure, line speed,