This column contains our weekly schedule. It is subject to change. Check back frequently.

This column contains current assignments and due dates (in red). CLICK ON UNDERLINED ASSIGNMENTS FOR FULL DESCRIPTIONS AND EXAMPLES.

This column contains important links to information relating to current lecture/unit. EXPLORING THESE LINKS IS REQUIRED.

This column contains current reading assignment and due date. Login and password will be given in class.

• TUES: Introductions, procedures
• THUR:
  • 
    Lecture 1: Intro to Color
  • download outline and bring to class
  • Class introductions

Homework:

1. Purchase Materials. Click here to download a Materials List (pdf).
2. Download readings.
3. Work on chart.

Discussed in Lecture 1:

• Isaac Newton (1643-1727)
• Goethe (1749-1832)
• Johannes Itten (1888-1967)
• Additive / Subtractive mixing
• Pigment

READING 1 (4 parts). To access, the readings below click here. Enter login and password. Click on 'Required Readings.' Look for the four readings listed below and click on the title to download each one.

• Charles Wallschlaeger. Basic Visual Concepts & Principles, Chapter 8 Light & Color (pg. 8.2-8.10)
• Charles Wallschlaeger. Basic Visual Concepts & Principles, Chapter 8 Color Mixing (pp.)
• Becky Koenig, Color Workbook, Chapter 5, The Materials of Color
  (Part 1: Pages 101-115) and (Part 2: Pages 116-124)

• TUES: Materials needed: watercolor paper pad, acrylic paints, pallet, brushes, pencils, ruler, water containers...
  • Studio: Masstone, Undertone, Tinting Strength Chart.
    <click on Chart
  • Studio: Color Wheel
    <click on Wheel
• THUR: Studio: Personal Pallet

HOMEWORK:

1. Finish Chart and Color Wheel
2. Finish READINGS and post comment.
3. Color-Aid FEE ($10) due next week
   

Also discussed in Lecture 1:

• Color Wheel
• general pigment information
• organic / inorganic pigment list

• TUES:
  • Lecture 2: Color Schemes
  • Click here for description of Color Scheme assignments.
  • Studio- Analogous color scheme
• THUR:
  • Complementary color scheme
  • Triad
    

HOMEWORK

1. Finish all Hue assignments (CRITIQUE Tuesday)
   • Chart and Color Wheel
   • Personal Pallet
   • Analogous Colors
   • Complementary Color Scheme
   • Triad
2. Bring Color-Aid FEE ($10) due Tues

Color schemes - see:

• ANALOGOUS color scheme:
  • Luc Tuymans (see current SFMOMA show)
    Georgia O'Keeffe, Red Canna
• COMPLEMENTARY color scheme:
  • Van Eyck, Arnolfini Wedding 1434
  • Wayne Thiebaud (see upcoming SJMA show)
• TRIAD:
  • Mondrian (primary triad)
  • Kazimir Malevich (primary triad)

READING 2: Pentak, Stephen and Richard Roth. Color Basics. color wheels and schemes. p16-25 and p66-73.

• TUES:
  • CRITIQUE- HUE assignments:
    • chart and color wheel
    • personal pallet
    • color schemes (3)
  • Lecture 3: Color & Value
  • Click here for description of Color & Value projects
• THUR: Studio- value scale & color/value chart

  Value Scale > > > Bring the two cut ILLUSTRATION BOARD pieces. Click here for how to cut illustration board.

HOMEWORK:

1. Begin PHOTO SHOOT (self portrait, single light source). See Value Project page for directions and a video to inspire your photoshoot. (prints due 3/2)
2. Reading comment due 2/23
3. Color scheme photo collection due here on blog 2/23 (or bring photos on camera or printed out)

LINKS related to lecture (light/dark & color)

• Mark Rothko 1903-1970
• "Mark Rothko: A Whole New Light," Times (includes video)
• Rothko: National Gallery images of work
• CHIAROSCURO
• Caravaggio 1573-1610
• Jan Vermeer 1632-1675
• Rembrandt van Rijn 1606-1669

Reading Comment DUE here on blog: 2/23

Color scheme: set of 6 photos also due here on blog 2/23 (or bring photos on camera or printed out)

• TUES: Color/Value chart (4 hues)
• THUR: Self Portrait:Photo check; Equal Light / Equal Dark Study (5x7" on watercolor paper with border)
  

Homework: Portrait photos to be checked 2/25

VALUE PROJECTS:

1. Value Scale (achromatic)
2. Color/Value Chart (4 hues)
   

related to photo shoot homework:

• Cindy Sherman
• Annie Leibovitz

• TUES: Furlough
• THURS: Self-Portrait begins
  Must bring the following materials to class (Please do not come unprepared!)
  • canvas
  • photo printed out (can be small but should be photo-quality) click here for photo shoot pointers
  • all paint materials
  • soft cotton rag
  • bring $10 Color-Aid paper fee if still owed
    

HOMEWORK:

1. Look over the website links on underpainting & glazing > >
2. Have the undercoat and drawing done on canvas (bring canvas & drawing on Tues)
3. Tuesday is the last day to bring the $10 Color-Aid paper fee.

review in preparation for portrait:

• Jan Vermeer 1632-1675
• Caravaggio 1573-1610

SEE the following site on technique for portrait:

• underpainting
• glazing

Reading Comment DUE on blog: 3/9

• TUES:
  • STUDIO:Self-Portrait (Chiaroscuro/Value in color, Transparent color mix)
    
    
• THURS:
  • Self-Portrait (cont.)

HOMEWORK:

Work on self-portrait. Note CHANGE in due date below.

related to portrait:

• See essentialvermeer.com for glazing techniques.
• More Caravaggio (zoom into paintings)

related to new reading:

• Claude Monet
• Impressionism

READING 4:
Monet's Letters from Vivian Russell. Monet's Landscapes.

For anyone interested in looking through the entire book, here is Monet's Landscapes by Vivian Russell on google books.

• TUES:
  • Self-Portrait (cont.)
    
• THURS:
  • Lecture: SATURATION / LOCAL COLOR.
  • Studio: Saturation Projects
    Bring the 15x5" piece of illustration board (cut before)

HOMEWORK:

1. Finish value projects. ALL DUE 3/23
   
2. First Local Color/Monet Project (due Thursday, 3/25)
   

color systems

• Munsell Color System (wikipedia)
• CIE Color System
• Pantone

• Claude Monet (1840-1926)
• the Rouen Cathedral paintings
• the Haystack paintings

Reading Comment #4
DUE on blog: 3/23

• TUES:
  • CRITIQUE: VALUE Projects
    1. Value scale
    2. Color/Value scale
    3. Equal light/Equal Dark composition
    4. Chiaroscuro Portrait
  • Studio: Saturation (cont.)
    
• THURS:
  • first Monet painting due
  • Saturation Project (cont.)
  • Lecture: Museum Visit & final paper.

HOMEWORK:

• Paint #2 of the Monet Projects
• Finish all Saturation Projects
  1. Saturation & Value chart
  2. Contrast in Saturation Photo Collection

related to Saturation lecture:

• Giorgio Morandi (low saturation)
• Henri Matisse (high saturation)
• Richard Diebenkorn (contrast in saturation)

See Information page for links to museums and galleries.

READING 5: COLOR IN CONTEXT - Color Basics by Pentak, Stephen and Richard Roth. Chapter 3.

SPRING BREAK ......

......

• TUES: Furlough
• THURS:
  • Critique> Saturation Projects
  • Lecture: Color in Context: Josef Albers

Homework:

Paint #3 or the Monet Projects

Reading Comment #5 DUE on blog: 4/7

• TUES: Albers Exercises, work in groups. (Students must attend all sessions for full credit on Albers)
  
• THURS: Albers Exercises, work in groups. (Students must attend all sessions for full credit on Albers)

Homework:

Last Monet Project (Due 4/27)

Explore these sites related to Albers:

• Josef Albers
• Interaction of Color by Albers
• Bauhaus
• Black Mountain College
• Color Contrast (Brown University)

READING 6:
DESIGNING WITH COLOR - Color Workbook by Becky Koenig. Chapter 10.

• TUES:
  • Lecture>Artist Research & Artist Pallet
  • Finish Albers exercises
• THURS: LIBRARY RESEARCH - King Library (3rd floor)
  Choose an artist (see list of artists) and check out a catalog. Bring it home and spend some time browsing through the art - looking at color.

HOMEWORK:

• Finish Albers compositions
• Finish Monet Project

See Art:21 for videos on many contemporary artists

James Turrell (Art:21 video)

Reading Comment DUE on blog: (due date exteded to Wed, 4/22)

• TUES:
  • Critique- Albers Project & Monet Project
  • LECTURE: COMPOSITION / Music and Color
• THURS: Music & Color Project (CD cover) begins. BRING the following material:
  1. Leftover piece of illustration board (15x10")
  2. Acrylic paints, bristol board, ruler etc.

Music and color

Color Chart:

• COLOR CHART (an exhibition at New York's Musuem of Modern Art)
• Gehrard Richter color charts

READING 7. For the final reading choose one of the following:

1. COMPUTER COLOR - Color Workbook by Becky Koenig. Chapter 6. (basic)
2. COMPUTERS AND COLOR - Real World Color Management by Bruce Fraser et. al. (Peachpit Press) p51-69. (more technical)

• TUES:
  • LECTURE: Color & Light
  • Studio: CD Cover
• THURS: Furlough.... work on CD Cover

HOMEWORK:

• Finish CD Cover

RGB Color information:

• RGB Color Model (wikipedia)
• Color Picker (hue, saturation, brightness)

Video and Digital Media art to browse:

• Bill Viola (video artist)
• Cory Archangel (digital media artist)
• ArsVirtua Gallery (founded by students in CADRE, SJSU)
  

Reading Comment DUE on blog: 5/7

• TUES:
  • Critique: Music & Color (CD Cover)
  • Light Project - Color Chart (Materials: laptop computer or alternate materials discussed with me); signup for individual meetings
• THURS:
  • Individual Meetings
  • MUSEUM PAPER DUE today (no late acceptance)

HOMEWORK: Color Chart for chosen artist: (total 27 RGB colors)
POST link to your chart in comment section of "Artist&Project" blog.
All students must meet with me individually regarding the LIGHT PROJECT in progress. See schedule.

Artist Color Chart due - link posted in blog comment section;

see the following artists who's work inspired the light project:

• Eve Sussman's (work used for videos include Velasques and David)
• Bill Viola (video artist)

FINAL CRITIQUE: LIGHT PROJECT & discussion of artists - Wed., May 19 @ 9:45am - 12.

SJSU Spring 2010 Final Exam Schedules

TIMELINE for LIGHT PROJECT:

• : UPLOAD PHOTOS (if there are special circumstances with your project email me)
• : VIEW ALL PROJECTS and COMMENT on at least one.
• 5/19: FINAL CRIT

Note: Those of you who are using Flickr - please put your photos into a SET using the Organize link at the bottom of the page. Here is a facts page for flickr. See "The Organizr" for directions.

grade breakdown

some food for thought regarding grades