Graduate Entrance Exams
All entering graduate students must take the Graduate Entrance Evaluation, which measures the incoming student’s knowledge of music systems/theory and history at an undergraduate level. The goal of the evaluation is to insure that all entering students have learned and retained the core competencies of music in preparation for beginning master’s work, and is thus a very important assessment tool that enables the faculty to help you succeed in your graduate work at SJSU.
Students who pass all sections of the evaluation will be granted “Graduate Classified” standing, and are considered ready for all graduate-level seminars.
Students who fail sections of the evaluation will be required to take coursework to address their deficiencies, and unless otherwise directed by the Graduate Area Coordinator, will enroll in MUSC 204: Materials for Music Studies during their first Fall semester. Students will remain at “Conditionally Classified” status, and may not take graduate-level seminars beyond Music 200 until finishing their remediation.
Students who fail all parts of the evaluation may not be admitted to the program.
Music History Examination
All students are required to take all sections of the Music History Entrance Evaluation. The examination is 3 hours long and evaluates knowledge in the following 3 broad historical areas:
- The Middle Ages and Renaissance
- Baroque and Classical eras
- Romantic and Modern periods
Each section consists of 25 multiple-choice questions, and a choice of two essay prompts. The multiple choice questions test your knowledge of basic facts, while the essay questions are designed to let you demonstrate your broader knowledge and synthesis of music history. You will be expected to know composers’ names, important dates, significant compositions, the kinds of pieces written during each period, different styles, genre, and forms of music, influences, and other pertinent topics.
Music Systems/Theory Evaluation
The Music Theory Entrance Evaluation consists of Dictation and Written Analysis and is 3 hours long, and consists of the following areas:
Section I: Dictation (1 hour)
Accurately notate music performed at the piano by exam proctor:
- Isolated chords (SATB, with bass given)
- Tonal melodies (with chromatic alterations)
- Modal melodies (diatonic)
- Tonal duets (with chromatic alterations)
- Tonal SATB harmony (four voices plus complete harmonic analysis)
Section II: Written Analysis (2 hours)
Part 1: Harmonic Analysis
Analyze score excerpts:
- Tonal (Roman numerals, inversions, nonharmonic tones, cadences)
- Modal (identify diatonic mode, cadence areas, and relevant techniques such as planing)
- 12-tone serial analysis (with matrix provided)
- poly-chord use
Depending on the concentration of your master’s degree, the following theory/systems areas are also evaluated.
Form & Analysis
Part 2: Form & Analysis
Analyze large-scale form on score examples provided:
- Identify historical period
- Identify overall formal plan, citing supporting evidence
- Identify primary sections (formal divisions [A B A’], key areas, major cadences)
Part 3: Instrumentation and Orchestration
- Identify ranges and transpositions of standard orchestral instruments and choral voices
- Define standard score expressions and terms
- Transpose excerpt from score into concert pitch
Part 4: Counterpoint
Complete score example (choose one of two provided):
- 16th-century modal canon phrase with cadence
- 18th-century imitative trio sonata phrase with cadence