Gordon Haramaki. ""Berkeley, Busby"
," The Grove Dictionary of American Music, second edition.
Oxford University Press, (2012).
---.. ""Keeler, Ruby"
," The Grove Dictionary of American Music, second edition.
Oxford University Press, (2012).
---.. ""Collegium Musicum"
," The Grove Dictionary of American Music, second edition.
Oxford University Press, (2012).
---.. ""Wizard Rock"
," The Grove Dictionary of American Music, second edition.
Oxford University Press, (2012).
---.. "“Re-Reading Petrarch: Word, Image, and the Architecture of Memory in Monteverdi’s ‘Hor che ’l ciel et la terra’”
," Annual meeting of the Renaissance Society of America.
Washington D.C., (March 2012).
---.. " “‘In grembo a Citherea’: The Representation of Ars and Ingenium in Claudio Monteverdi’s “Tempro la cetra’”
."
Article.
Vol. 39.
Issue 4.
Early Music, (November 2011).
---.. "‘In the Flesh as Well as in Spirit’: (Meta) Physical Embodiment in Claudio Monteverdi’s ‘Ave Maris Stella’ (1610)
," Annual Meeting of the American Musicological Society.
Indianapolis, Indiana, (November 2010).
---. "Mapping Mary: The Galliard in Claudio Monteverdi’s Magnificat à Sette Voci (1610)
," Topographies: Sites, Bodies, Technologies, Annual Metting of the Society of Dance History Scholars.
Stanford University, Stanford, (June 2009).
---. "'In grembo a Citherea': The Representation of Ingenium and Ars in Claudio Monteverdi’s 'Tempro la cetra'
," Annual Conference of the Society for Seventeenth-Century Music .
University of Notre-Dame, South Bend, (April 2007).
---. "Hero(ine) and Anti-Hero: The Meaning of Protagonist in Claudio Monteverdi’s Combattimento di Tancredi e Clorinda
," Current Issues’ Graduate Colloquium.
University of California, Santa Cruz, (January 2007).
---. "Weaving Historical Perspectives into the Ensemble Experience
," California Association for Music Education-Bay Section, Winter Conference.
San José State University, San Jose, (January 2007).
---. "‘In the Flesh as Well as in Spirit’: (Meta) Physical Embodiment in Claudio Monteverdi’s ‘Ave Maris Stella’ (1610)
," Joint meeting of the North and Pacific-Southwest chapters of the American Musicological Society.
University of Southern California, Los Angeles, (April 2005).
---. "‘Motto del Cavallo’: Man as Horse in the Stile Concitato
," Aspects of Equus: A Conference in Honor of the Horse, UCLA Center for Medieval and Renaissance Studies.
University of California, Los Angeles, (May 2003).
---. "Nicholas Lanier’s Body and King Charles’ Hand: English Recitative as Expressive Prosthesis
," Renaissance Power Play: The Uses and Abuses of Power in Early Modern Europe, Pacific Northwest Renaissance Society.
Marlborough School, Los Angeles, (April 2002).
---. "Becoming Flesh: Monteverdi, Zephyr, and the Dancing Body
," Annual meeting of the American Musicological Society.
Atlanta, (November 2001).
---. "'The Message Beneath the Cipher’: Musical Cryptography and the Sound of Espionage
," Hollywood Musicals and Music in Hollywood.
University of Colorado, Boulder, (August 2001).
---. "'Kiss, Kiss—Bang, Bang!’: Musical Platitudes of Sex and Danger
," Music/Image in Media: Cliché or Emerging Language?.
New York University, New York, (June 2001).
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